Veröffentlicht am 17.02.2013
A
bowler who leaps to the rhythm of the music, accompanying, slightly,
the immediate and extravagant gestures. His bowler hat: the images we
hold of Erik Satie show him always elegant, with his inseparable hat.
And with the round glasses through which the world took abstruse and experimental forms.
Just like in the "three pieces in pear-shaped"(which, paradoxically, are actually seven), which he composed in funny and sarcastic response to criticisms of classical Claude Debussy: there is no form in his music, he ruled.
And here is precisely the answer.
The most shapeless fruit of creation.
And so the bowler of Satie that accompanies the listener-viewer through the path in which the sound attempts to merge with the images that inspired it.
It is a rhythmic tracking at the edge of madness, a healthy madness that nod to Dadaism and to symbolism in a surrealistic setting devoted to experimentation.
This synergy of music and color peep now archetypal images:
an unlikely watch that scans non-existent if not hours, the limitless space crossed by the wings of a dancing gull, dominoes, an ancient play, symbol of the progressive and relentless drive that music exerts on the human soul.
But if the music is played from 4 hands by 2 pianists and the images are created by an artist photographer, it's just in the mysterious alchemy of vision and concentric-listening to every spectator that magic can take shape.
And with the round glasses through which the world took abstruse and experimental forms.
Just like in the "three pieces in pear-shaped"(which, paradoxically, are actually seven), which he composed in funny and sarcastic response to criticisms of classical Claude Debussy: there is no form in his music, he ruled.
And here is precisely the answer.
The most shapeless fruit of creation.
And so the bowler of Satie that accompanies the listener-viewer through the path in which the sound attempts to merge with the images that inspired it.
It is a rhythmic tracking at the edge of madness, a healthy madness that nod to Dadaism and to symbolism in a surrealistic setting devoted to experimentation.
This synergy of music and color peep now archetypal images:
an unlikely watch that scans non-existent if not hours, the limitless space crossed by the wings of a dancing gull, dominoes, an ancient play, symbol of the progressive and relentless drive that music exerts on the human soul.
But if the music is played from 4 hands by 2 pianists and the images are created by an artist photographer, it's just in the mysterious alchemy of vision and concentric-listening to every spectator that magic can take shape.
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