Veröffentlicht am 07.06.2014
James Kalm walked through the
gallery doors just as they started turning off the lights and chasing
out the stragglers. That's good, fewer people obscuring views of the
art work, but challenging because he had to schmooze the guy at he desk
to turn on the lights in the back space for a brisk pan. Franklin Evans
has been receiving much critical attention for his blurring of
painting, the studio and installation. Using the rubbish of his studio
practice, particularly used masking tape and paint stained cloths, the
artist fills the gallery top to bottom with colorful remnants, wall
paintings and enlarged photos from previous installations, thereby
presenting these projects as accumulations not only of materials, but
also of memories.
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