Veröffentlicht am 25.01.2016
James
Kalm is drifting through Chelsea when he takes a late afternoon tour
through this historic exhibition. This show presents a wide survey of
various experimental and conceptual approaches to the project of
painting. Since beginning his practice in the mid 1950s, Ryman has
limited his materials to mostly white paint, square formats, and an
extraordinary variety of grounds and surfaces onto which he applies
paint. These twenty-two paintings record the evolving bodies of work
the artist has developed from the late 1950s until the mid 1980s. This
is Robert Ryman's first museum retrospective in New York City in over
twenty years. This program was recorded January 16, 2016.
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